Teresia has had great success singing roles as Die Königin der Nacht, Olympia, Gilda, Fiorilla, Frasquita, Servilia and Christine in Phantom of the Opera in opera houses in Stockholm, Copenhagen, Linz, Malmö, Umeå and Läckö.

Teresia debuted as Servilia in Mozart's La clemenza di Tito at the Royal Opera in Copenhagen, directed by David McVicar and conducted by Lars-Ulrich Mortenssen.

Teresias performance as the Queen of the Night in Stockholm was awarded The Soloist Prize 2014 at Folkoperan. In 2014 Teresia recorded "Psalmo XIX" by Niccoló Castiglioni at Chandos Records with Gianandrea Noseda and the Danish National Symphony Orchestra. Teresia sang Gilda at Norrlandsoperan in Umeå in 2015 conducted by Rumon Gamba and in summer 2017 she had great success as Fiorilla in Rossini's Il turco in Italia at Läckö Slott in Sweden.

In concerts Teresia has appeard with symphony orchestras such as the Danish National Orchestra, Concerto Copenhagen, Der Bruchner Orchester, Malmö and Helsingborg Symphony orchestras and Dalasinfoniettan. Teresia has worked with conductors such as Gianandrea Noseda, Michael Schönwant, Pier Giorgio Morandi, Thomas Söndergaard and Lars-Ulrich Mortensen and instructors such as David McVicar and Marco Arturo Marelli.

Teresia is also a sought-after soprano for contemporary music and she performs music by and collaborate with composers such as Niccoló Castiglioni, Tommie Haglund, Staffan Storm and Fredrik Högberg and recently she went on tour with Norrbotten NEO with the new opera "Stilla min eld" by Fredrik Högberg and Nicolai Dunger. This spring she sang the part Bubikopf in Viktor Ullmann's "Der Kaiser von Atlantis" at Malmö Opera, a part she also sang in Austria at Landestheater Linz in 2010. At Landestheater Linz Teresia also sang the main part Schlaffittchen in the new children opera "Das Traumfresserchen" by Wilfried Hiller. Teresia also performed the part Susan in "Gloomy Sunday", a new opera written by Christoffer Nobin and performed at Halland Opera and Vocal Festival in 2016. Teresia also performed in the first ever written short opera for Instagram, "Vem är död"? 

In September 2017 Teresia will sing the part Agnes in the new opera "Hion" with Norrköping Symphony Orchestra, composed and conducted by Christoffer Nobin. In autumn 2018 Teresia will take part in the Tommi Haglund-Festival performing his "Miraggio". 

Teresia studied singing at Vadstena Folkhögskola and The College of Music in Malmö. In 2005 she became a student under the tutelage of Susanna Eken at The Royal Opera Academy in Copenhagen. 




Contact (Scandinavia): 

OnStage Artists Management

Marianne Karlberg

marianne@onstageartists.com
+45 6016 7611


 

"Teresia Bokor entranced us with her superb coloratura technique and impressive stage presence as the faithless Fiorilla. She captured Fiorilla's egocentric character very well and had great comic instinct in her interactions with her hapless husband Geronio and the handsome Selim. Her voice was rich in overtone and so projected sufficiently."

(Il Turco in Italia 2017)
seenandheard-international.com  

"Teresia Bokor som Fiorilla är kaxig, läcker och serverar virtuost sina fioriturer, men hon har också sågonting numera sällsnt bland briljanta koloratursopraner, en lyrisk varm dimension som ger hennes självrannsakningsscen i slutet av operan en lite mörkare nyans."

(Il Turco in Italia 2017)
Tidskriften Opera

"Koloratursopranen Teresia Bokor gestaltar rollen Fiorilla med en övertygande precision, men det som ger glöd åt tolkningen är kontrasterna mellan det utåtriktade och de lågmälda partierna, själva växlingarna från yttre till inre."

(Il Turco in Italia 2017)
Göteborgsposten

"Teresia Bokos överlägsna Fiorilla är en Lady Gaga i knallröd tyllkrinolin med spiksäkra koloraturer!"

(Il Turco in Italia 2017)
Svenska Dagbladet

"Teresia Bokor har allt som krävs för rollen Fiorilla! Hon sjunger suveränt med uttrycksfull ock känslotät personlighet i röst och utspel. Och hon spelar sin roll klädd i kärlekens allra illrödaste färg så bra på ett avväpnande och intagande sätt!"

(Il Turco in Italia 2017)
Nya Lidköpings-Tidningen

"I hennes Caro nome, framförd med klockren briljans, blir koloraturerna lika mycket uttryck för en tonårsrevolterande uppstudsighet som tonårsförälskelse!"

(Rigoletto 2015)
Tidskriften Opera

"Teresia Bokor ger den oskuldfulla Gilda djupt allvar och visar samma skickliga förmåga till koloraturer som i Folkoperans Trollflöjten!"

(Rigoletto 2015)
Dagens Nyheter

"Som Nattens Drottning i Folkoperans upprättning av Trollflöjten når Teresia Bokor rätt in i publikens innersta!"

(Die Zauberflöte 2014)
Folkoperans Vänner

"Teresia Bokor is an amazing Olympia!"

(Les contes d'Hoffmann 2010)
Der Neue Merker, Österrike